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水墨畫的黃金法則
 作  者: 馬艷
 出版單位: 北京美術攝影
 出版日期: 2018.12
 進貨日期: 2019/5/7
 ISBN: 9787559201812
 開  本: 16 開    
 定  價: 443
 售  價: 354
  會 員 價: 325
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本書對於作者出生于書畫世家,其外祖父為中國油畫大家王式廓先生,本書中的作品結合了馬豔父母的合力指導,將作者學習水墨畫繪畫的精髓提煉為24條黃金法則,在東方傳統美學理念中傳遞東方文化的優秀內容。

本書側重於對24條黃金法則的精彩呈現,在呈現過程中,作者展示了超過60幅精彩的水墨畫作品。作者本人對東西方文化的接觸和瞭解,以及對東方文化的闡釋和解讀,都融匯在書中對24條水墨畫黃金法則的演示中,細膩的筆觸,柔軟的靈魂,構成了作者心中對水墨畫獨到的個人韻味。對於讀者而言,本書精妙之處不僅在於對24條黃金法則的理解,更重要的是對作者內心深處對於水墨畫的情感的共鳴。


內容簡介:

本書由在日本深受好評的水墨風景畫家馬豔創作。全書將水墨畫的基礎以24條黃金法則的形式呈現,深入淺出的講解了植物、山水、動物、人物、建築等水墨畫經典元素的繪畫技巧。

全書主要由兩部分構成,第部分簡要介紹水墨畫黃金法則運用的基礎,包括用作畫前的準備工作、何為水墨畫創作、水墨畫基礎資料表現技法等一些基本材料和技巧問題的解答。第二部分立足于24條黃金法則,介紹了具體的水墨風景畫的畫法和作品,主要包括花的畫法、山的畫法、樹木的畫法、瀑布的畫法、靜物的畫法、鳥的畫法、建築的畫法、貓的畫法、人物的畫法等,其中以畫法解說具體展示了各個主題下細分內容的畫法,如花的畫法的部分就展示了從枝幹到葉片,從花朵到花蕊的詳細步驟演示,在法則中總結繪畫技巧和應當著重注意的細節,並通過*終的應用作品給讀者一個整體觀念。


作者簡介:

馬豔

1967年出生於北京。畢業於中央美術學院,水墨畫、油畫、藝術評論專業,學習了油畫和中國畫。世界少年兒童藝術中心(美國)主辦的《21世紀少年兒童藝術展》評審員。2006年起擔任馬驍水墨畫協會所屬的“豔墨會”主辦人。2008年起多次舉辦包括《Bappaka獅子舞展》《野田市非物質文化遺產展》《野田的祭典》《龍神》《天地人》《Ballade》《Rouge(紅)&Noir(黑)·為墨添彩》《Noir(黑)&Blanc(白)·為墨添彩》等畫展。2012 年東京新聞報千葉版《千葉特色》中刊登了馬豔特輯(4月23日)。2014年加入日本美術家聯盟,成為正式會員。並有多部作品應邀參加公開展覽。


圖書目錄:



第1章法則的基礎··························7

作畫前的準備工作···································8

作畫用具·······································8

筆·墨·紙·硯····································8

畫具的擺放······································9

磨墨的方法······································9

●法則1●墨分五色··································9

筆墨的運用方法····································10

執筆的方法······································11

●法則2●掌握能靈活用筆的執筆方法····················11

調墨的方法······································12

運筆的基礎······································14

●法則3●從“書畫同源”中學習·························15

先畫畫看吧······································16

枯草蜻蜓的畫法····································16

●法則4●用題款為畫作收尾······························19

何為水墨畫創作····································20

●法則5●掌握水墨畫的基本三要素·······················21

水墨畫基礎資料表現技法··································22

紅蕪菁的畫法····································22

●法則6●用筆要有緩急變化······························23

筆頭草的畫法·····································24

●法則7●在構圖取景上下功夫···························25

金魚的畫法······································26

●法則8●自學也要有計劃性······························28

黑天鵝的畫法·····································29

●法則9●有飛白方現水墨意境···························31

●法則10●畫面要有濃淡之分······························31

第2章實踐與應用——不同題材的畫法·························33

花的畫法·······································34

畫法解說Ⅰ盛放的白薔薇·······························34

●法則11●白色花朵的表現技法···························36

畫法解說Ⅱ牡丹···································38

山的畫法·······································44

畫法解說Ⅲ北阿爾卑斯山遠望·····························44

●法則12●風景畫的構圖始於底稿·························45

●法則13●活用濃墨的表現效果···························46

●法則14●暈染的技法要點·······························46

樹木的畫法······································50

●法則15●特殊技法——留白法···························51

瀑布的畫法·····································54

●法則16●活用留白的效果·······························55

靜物的畫法·····································56

畫法解說Ⅳ父親的贈禮································56

●法則17●從生活中尋找繪畫題材·························57

鳥的畫法·······································60

畫法解說Ⅴ飛翔···································60


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